ByGeorge! Online

Dec. 5, 2002

Miller Named CASE DC Professor of the Year

English and American Studies Professor Becomes Fourth GW Faculty Member to Earn Honor

By Greg Licamele

James Miller suspects that men and women become professors because they fell in love with the teachers who taught and inspired them. For Miller, these effective teachers provided enriching experiences in literature propelling him to academia. Now, this humble man from Provdence, RI, has won the Council for Advancement and Support of Education (CASE) District of Columbia Professor of the Year Award.

The professor of English and American studies says he’s honored to be recognized for his teaching and scholarship, adding with a hearty laugh that the award “sounds formidable.”

Miller joins three of his Columbian College of Arts and Sciences (CCAS) colleagues who previously received the DC Professor of the Year Award: Associate Professor of Physics Gerald Feldman in 2000; Benjamin Banneker Professor of American Civilization and History James O. Horton, in 1996; and Professor of Media and Public Affairs Jarol Manheim in 1995.

“I can’t imagine anyone more deserving of this award than Jim,” says William Frawley, CCAS dean. “He’s an accomplished and dedicated faculty member of CCAS and a model to us all. He continues the astonishing record of Columbian College faculty in the CASE competition.”

Arriving at GW in 1998, Miller quickly asserted himself as a leader in African American Studies, building upon his work as a professor at the University of South Carolina at Columbia and at Trinity College in Hartford, CT. He earned his bachelor’s degree from Brown University and a PhD from SUNY Buffalo.

“As an African Americanist, I’m always paying close attention to issues of race, the construction of race, race in American culture,” Miller says. “So I think a lot of what I do really works off of that set of preoccupations. I’m also interested and deeply concerned with the problem of historical consciousness, how it informs American writing, and the ways in which race has been constructed and deployed by American writers and artists over time.”

Miller explains that Toni Morrison’s essay, “Unspeakable Things Unspoken,” crystallizes his areas of interest because she argues that race is always present in American culture, even when it’s not visible in literary or cultural texts.

“I think Morrison’s essay captures for many of us who are African American the way race has always functioned as a constant,” Miller says. “It shows how racial obsessions shape and define American thought and behavior, and the ways in which racial attitudes and racial rhetoric have changed over time.”

Miller taught English 73 this semester, which is a survey course that examines the development of African American writing from its colonial beginnings through the turn of the 20th century. He also taught English 169, “Ethnicity and Place in American Literature,” which focuses on the interrelationships among ethnic consciousness, sense of place, and the 20th-century American literary production.

Faye Moskowitz, associate professor of English and department chair, works in the office next to Miller’s and she hears the impact and influence Miller has on his students.

“I am very much aware of how many students and faculty members find their way to his door,” Moskowitz says. “They come for information, for advice, and sometimes just for the chance to engage in lively conversation with a wise and ‘hip’ guy. His student evaluations are almost as much fun to read as his classes surely are.”

Moskowitz says one student recently wrote: “Professor Miller is an excellent instructor; he investigates texts like a detective, using everything at his disposal, especially his students’ own understanding, to illuminate meaning and establish interpretation.”

Next semester, Miller will continue his exploration of race by teaching a class that incorporates August Wilson’s “Ma Rainey’s Black Bottom.”

“It is a great example of the cluster of concerns — the very complicated, human multidimensional play that uses music and the music industry as a way of really highlighting how race shapes character, behavior, and thought.”

With his successful record as an effective and engaging professor, he just might be that inspirational professor for one of his students — the way his teachers inspired him.

 

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